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The first film’s frivolity and bubbliness are still in evidence in Klapisch’s stylistic flourishes, but his impulsive, carefree characters have grown more responsible and less crazy with age.Tautou is younger then her Chinese Puzzle character, and banters that she was infuriated to be the youngest actress on set, yet stuck playing the oldest character in the film.“That’s the only thing that’s not credible in his film – I definitely don’t look 40!
The character I played was very challenging for me. Were you surprised by the ending when you first read the script. It is magical and there is a lot of poetry in it as well. “When I see how this movie lasts, I understand now how special it is. “When you are a discovery for people, they are always more welcoming than when you’ve been working for 10 years. That’s a gift.”One of the aforementioned articles that put Tautou’s hackles up claimed that a section of the French critical fraternity just couldn’t fathom Amélie’s or her own success, although in recent years they’d come round to her charms and she was now adored. She tells me a story about her grandmother letting her horror be known when Tautou considered emigrating to New York.“She said, ‘Are you telling me that you prefer America to France? I feel very French and I need my life here; I need all my friends and family.”Having said that, she’s smitten with London and tells me that she frequently dreams of moving to Notting Hill, home to many happy memories when she resided in the west London enclave while making Dirty Pretty Things and The Da Vinci Code.
“Oh la la, I would love to spend two or three years here,” she coos. When I meet the actress to discuss two different films, first in Paris and more recently in London’s Corinthia Hotel, she is a diminutive bundle of everyone’s favourite Gallic mannerisms. “I have to spend three years denying it to people,” she frowns, while also partly blaming herself for the rumour-mongering.